<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-7242721016519076901</id><updated>2011-08-25T20:48:48.039+02:00</updated><category term='Madrid'/><category term='Semiótica'/><category term='&quot;información útil&quot;'/><category term='&quot;informazioni utili&quot;'/><category term='&quot;informations utiles&quot;'/><category term='GESC'/><category term='&quot;useful information&quot;'/><category term='créditos libre elección'/><category term='call for papers'/><category term='programa'/><category term='congreso'/><title type='text'>I congreso de semiotica de la cultura</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://congresosemiotica.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7242721016519076901/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://congresosemiotica.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Marina Domínguez Garachana</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>7</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-7242721016519076901.post-6322152192516097194</id><published>2010-11-27T23:30:00.001+01:00</published><updated>2010-11-27T23:32:06.400+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='congreso'/><category scheme='http://www.blogger.com/atom/ns#' term='créditos libre elección'/><title type='text'>Petición de Créditos de Libre elección</title><content type='html'>Los pasos para obtener los créditos por asistir al congreso son los siguientes:&lt;br /&gt;&lt;br /&gt;1. Enviar una memoria de 2 páginas a la dirección &lt;a href="mailto:contactosemiotica@gmail.com" target="_blank"&gt;contactosemiotica@gmail.com&lt;/a&gt;, indicando nombre y apellidos, dni y estudios que se cursan (nombre de la carrera, o similares)&lt;br /&gt;&lt;br /&gt;En el momento de su recepción, la organización del congreso revisará  la memoria y enviará las credenciales y actas al Vicerrectorado de  Doctorado y Titulaciones Propias. Una vez el Vicerrectorado de el visto  bueno, los remitirá a la organización del congreso, que los entregará a  cada estudiante.&lt;br /&gt;&lt;br /&gt;2. El estudiante presentará la certificación en la secretaría de su  centro para matricular los créditos como créditos de libre configuración  en los plazos establecidos por cada centro.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7242721016519076901-6322152192516097194?l=congresosemiotica.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://congresosemiotica.blogspot.com/feeds/6322152192516097194/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://congresosemiotica.blogspot.com/2010/11/peticion-de-creditos-de-libre-eleccion.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7242721016519076901/posts/default/6322152192516097194'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7242721016519076901/posts/default/6322152192516097194'/><link rel='alternate' type='text/html' href='http://congresosemiotica.blogspot.com/2010/11/peticion-de-creditos-de-libre-eleccion.html' title='Petición de Créditos de Libre elección'/><author><name>Marina Domínguez Garachana</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7242721016519076901.post-4338772428323842936</id><published>2010-10-29T12:36:00.010+02:00</published><updated>2010-11-15T12:51:36.770+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='programa'/><category scheme='http://www.blogger.com/atom/ns#' term='congreso'/><title type='text'>Programa</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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 &lt;p class="MsoNormal" style="margin-left: 0cm; text-align: center; font-family: verdana;" align="center"&gt;&lt;span style="font-size:130%;"&gt;&lt;b style=""&gt;&lt;span style="line-height: 120%;" lang="ES-TRAD"&gt;Universidad Complutense de Madrid&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; text-align: center; font-family: verdana;" align="center"&gt;&lt;span style="font-size:130%;"&gt;&lt;b style=""&gt;&lt;span style="line-height: 120%;" lang="ES-TRAD"&gt;Facultad de Ciencias de la Información&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;b style="font-family: verdana;"&gt;&lt;span style="line-height: 120%;font-size:11pt;" lang="ES-TRAD" &gt;&lt;/span&gt;&lt;/b&gt;&lt;b style="font-family: verdana;"&gt;&lt;span style="line-height: 120%;font-size:11pt;" lang="ES-TRAD" &gt;&lt;/span&gt;&lt;/b&gt;    &lt;p class="MsoNormal" style="margin-left: 0cm; text-align: justify; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;9:15 &lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt;&gt; Bienvenida&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; text-align: justify; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="" lang="ES-TRAD"&gt;Intervienen:&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; text-align: justify; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Carlos Andradas Heranz&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; &gt; Vicerrector de Política Académica y Profesorado&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; text-align: justify; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Jesús Sánchez Lambás&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; &gt; Director y Secretario General de la Fundación Instituto Universitario Ortega y Gasset&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; text-align: justify; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;10:00 &lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt;&gt; Presentación Grupo GESC&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin-left: 0cm; text-align: justify; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;10:30 &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=";font-size:100%;" lang="ES-TRAD" &gt;&gt; Conferencia Inaugural de &lt;b style=""&gt;Jorge Lozano &lt;/b&gt;&gt; Semiótica de la Cultura y Semántica histórica.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="" lang="ES-TRAD"&gt; &lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;div style="text-align: center; font-family: verdana;"&gt;&lt;span style="font-size:130%;"&gt;&lt;b style=""&gt;&lt;span style="line-height: 120%;" lang="ES-TRAD"&gt;17 &gt; noviembre&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;  &lt;/div&gt;&lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="" lang="ES-TRAD"&gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Sala Naranja &gt; 12:00-14:00 &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="" lang="ES-TRAD"&gt;Modera: &lt;b style=""&gt;Marcello Serra&lt;/b&gt; (UCM, GESC)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Alberto Gangemi&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Università di Bologna, Scuola Superiore di Studi Umanistici&lt;/i&gt;) &gt; &lt;span style=""&gt; &lt;/span&gt;Dopo l’ideologia, lo stile. Strumenti semiotici per l’analisi della leadership politica.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Giacomo Tagliani&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Istituto italiano di Scienze Umane, Universitá degli Studi di Siena&lt;/i&gt;) &lt;i style=""&gt;&gt; &lt;/i&gt;Tecnologie del sé ed esercizio del potere. &lt;i style=""&gt;Saló o le 120 giornate di Sodoma &lt;/i&gt;e &lt;i style=""&gt;Todo Modo&lt;/i&gt;: un dittico barthesiano.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Francesco Zucconi&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Istituto italiano di Scienze Umane, Universitá degli Studi di Siena&lt;/i&gt;) &gt; Montaggio intertestuale e semiotica della cultura. La presa del potere da parte delle immagini di Mussolini.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family: verdana;font-size:100%;" &gt;&lt;span style="" lang="ES-TRAD"&gt; &lt;/span&gt;&lt;/span&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Aula 401 &gt; 12:00-14:00&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="" lang="ES-TRAD"&gt;Modera: &lt;b style=""&gt;Esther Yance&lt;/b&gt; (&lt;i style=""&gt;UCM, GESC&lt;/i&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Paolo Demuru&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Università di Bologna, Universidade de Sao Paulo&lt;/i&gt;): Il corpo e la semiotica della cultura: per una nuova prospettiva.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="" lang="ES-TRAD"&gt;&lt;/span&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Sara Spinelli&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Università di Bologna&lt;/i&gt;): Il gusto in pratica: identità e forme di vita.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; text-indent: 14.2pt; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Rayco González &lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt;(UCM, &lt;i style=""&gt;GESC&lt;/i&gt;) &gt; Sospecha: hacia una tipología de la cultura.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;br /&gt;&lt;span style="font-family: verdana;font-size:100%;" &gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Sala Naranja &gt; 15:30-18:00 &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="" lang="ES-TRAD"&gt;Modera: &lt;b style=""&gt;Joaquín Aguirre&lt;/b&gt; (&lt;i style=""&gt;UCM&lt;/i&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;José Alberto Sánchez Martínez&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; &lt;i style=""&gt;(Universidad Autónoma Metropolitana. México&lt;/i&gt;) &lt;/span&gt;&lt;span style="line-height: 150%;" lang="ES-TRAD"&gt;&gt; &lt;/span&gt;&lt;span style="" lang="ES-TRAD"&gt;Cibercultura: semiótica del avatar y los mundos virtuales.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Rafael del Villar Muñoz&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Instituto de comunicación e imagen. Universidad de Chile&lt;/i&gt;)&lt;span style=""&gt;  &lt;/span&gt;&gt; Navegación por Internet y percepción.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Ana María Castillo Hinojosa&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Universidad Autónoma de Barcelona&lt;/i&gt;) &gt; Apropiación de herramientas informáticas dialógicas. Categorías de análisis semiótico para usuarios de redes sociales.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Rafael Gómez Alonso&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Universidad Rey Juan Carlos de Madrid&lt;/i&gt;) &gt; La intermedialidad como instrumento conector textual de la altermodernidad.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family: verdana;font-size:100%;" &gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Aula 401 &lt;/span&gt;&lt;/b&gt;&lt;b style=""&gt;&lt;span style="line-height: 120%;" lang="ES-TRAD"&gt;&gt; &lt;/span&gt;&lt;/b&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;15:30-18:00 &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="" lang="ES-TRAD"&gt;Modera: &lt;b style=""&gt;Leticia García&lt;/b&gt; (&lt;i style=""&gt;UCM, GESC&lt;/i&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Anna Pelka&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Universidad Autónoma de Barcelona&lt;/i&gt;) &gt; El lenguaje de la moda en los sistemas dictatoriales. Ensayo de un análisis semiótico.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Eva Ogliotti&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Università IUAV di Venezia&lt;/i&gt;) &gt; Una vita &lt;i style=""&gt;à la garçonne&lt;/i&gt;. Da personaggio letterario a tipo sociale ed epocale.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Margarida Anjos Amaro&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Universidade Nova de Lisboa&lt;/i&gt;) &lt;i style=""&gt;&gt;&lt;/i&gt; Traducciones de la extravagancia.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Dan Niculae Podaru&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Universidad de Bucarest&lt;/i&gt;) &gt; Le mutazioni di genere nella moda contemporanea. Analisi del fenomeno della mascolinizzazione della moda femminile.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family: verdana;font-size:100%;" &gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;&lt;br /&gt;Sala Naranja &gt; 18:30-21:00&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="" lang="ES-TRAD"&gt;Modera: &lt;b style=""&gt;Raúl Magallón &lt;/b&gt;(Universidad Carlos III, GESC)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="EN-GB"&gt;Daniele Salerno &lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="EN-GB"&gt;(&lt;i style=""&gt;Università di Bologna&lt;/i&gt;) &lt;i style=""&gt;&gt; F&lt;/i&gt;orms of Memory and Commemoration. Remembering the Ustica massacre.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style=""&gt;Lora Popova&lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt; (&lt;i style=""&gt;Technical University of Varna, &lt;/i&gt;&lt;/span&gt;&lt;i style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Bulgaria&lt;/span&gt;&lt;/i&gt;&lt;span style="" lang="ES-TRAD"&gt;) &lt;i style=""&gt;&gt;&lt;/i&gt; Le &lt;i style=""&gt;Chemin&lt;/i&gt; dans le temps hypermodernes.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style=""&gt;Valeria Villari &lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;(&lt;i style=""&gt;Università degli Studi di Urbino “Carlo BO”&lt;/i&gt;) &lt;i style=""&gt;&gt;&lt;/i&gt; L’immagine inversa, la mappa e la città come metafora e traduzione.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Hibai López González&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Universidad Pompeu Fabra, Barcelona&lt;/i&gt;) &gt; Semiótica del deporte: análisis del espacio en los reglamientos del fútbol y del baloncesto.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;span style="font-family: verdana;font-size:100%;" &gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;&lt;br /&gt;Aula 401 &gt; 18:30-21:00 &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="" lang="ES-TRAD"&gt;Modera: &lt;b style=""&gt;Marina Domínguez &lt;/b&gt;(UCM, GESC)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Carmen Echazarreta, Manel Vinyals&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Parque tecnológico de Gerona&lt;/i&gt;) &lt;i style=""&gt;&gt; &lt;/i&gt;Análisis semiótico de la parodia en televisión.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Angelo Di Caterino&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Université de Limoges&lt;/i&gt;) &gt; “La nouvelle Fiat c’est aussi votre histoire”. Rappresentazione e traduzione della cultura attraverso le forme della memoria: il caso della nuova Fiat 500.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;María Soledad Alonso&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Universidad Nacional de Tucumán&lt;/i&gt;) &gt; Estilos de vida en la publicidad destinada a los jóvenes.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="EN-GB"&gt;Celia Belim&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="EN-GB"&gt; (&lt;i style=""&gt;Instituto Superior de Ciências Sociais e Politicas de Lisboa&lt;/i&gt;&lt;/span&gt;&lt;span style="" lang="EN-US"&gt;) &gt; The Advertising Iconosphere in the Semiosphere: How can the Advertising be revealing of the Identity of a Country. &lt;/span&gt;&lt;span style="" lang="ES-TRAD"&gt;The Portuguese Case.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;span style="font-family: verdana;font-size:100%;" &gt;&lt;b style=""&gt;&lt;span style="line-height: 120%;" lang="ES-TRAD"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; text-align: center; font-family: verdana;" align="center"&gt;&lt;span style="font-size:130%;"&gt;&lt;b style=""&gt;&lt;span style="line-height: 120%;" lang="ES-TRAD"&gt;18 &gt; noviembre&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Sala Naranja &gt; 9:30-12:00 &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="" lang="ES-TRAD"&gt;Modera: &lt;b style=""&gt;Raúl Magallón &lt;/b&gt;(Universidad Carlos III, GESC)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt; Ludmila Boutchilina&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Université Paris VIII&lt;/i&gt;) &gt; Lev S. Vygotski (1896-1934) et la sémiotique de la culture en développement.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style=""&gt; Noureddine Bakrim&lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt; (&lt;i style=""&gt;IREMAM-CNRS, Aix-en-Provence&lt;/i&gt;) &lt;/span&gt;&lt;span style="" lang="ES-TRAD"&gt;&gt;&lt;/span&gt;&lt;span style=""&gt; Construction discursive et épistémologique d’un objet de parole: ‘l’écriture’ entre recherche ‘native et recherche ‘non-native’ en contexte berbère.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Massimo Leone&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Università di Torino&lt;/i&gt;)&lt;i style=""&gt; &lt;/i&gt;&gt; Semiótica de lo bárbaro. Para una tipología de las inculturas.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Manuel Pineda Santoyo &lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt;y &lt;b style=""&gt;Susana Verónica Pliego&lt;/b&gt; (&lt;i style=""&gt;Universidad Michoacana de San Nicolás de Hidalgo, México&lt;/i&gt;) &gt; &lt;i style=""&gt;Semiótica de la creolización: el contacto entre culturas&lt;/i&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family: verdana;font-size:100%;" &gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Aula 302 &gt; 09:30-12:00 &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="" lang="ES-TRAD"&gt;Modera: &lt;b style=""&gt;Marcello Serra&lt;/b&gt; (&lt;i style=""&gt;UCM, GESC&lt;/i&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Maria Albérgamo&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Universitá di Catania&lt;/i&gt;)&lt;b style=""&gt;&lt;i style=""&gt; &lt;/i&gt;&lt;/b&gt;&gt; Il museo e un particolare tipo di fruizione spettacolare.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Massimiliano Coviello&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Istituto italiano di Scienze Umane, Universitá degli Studi di Siena&lt;/i&gt;) &gt; Discorsi e figure del testimone nel cinema di guerra.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Sebastiano Giuntini&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Università di Bologna&lt;/i&gt;)&lt;i style=""&gt; &lt;/i&gt;&gt; Il testimone e lo spettatore. Sulla trasposizione cinematografica di &lt;i style=""&gt;Essere senza destino&lt;/i&gt; di Imre Kertész.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Stefano Carlucci&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Università di Bari&lt;/i&gt;)&lt;i style=""&gt; &lt;/i&gt;&gt; &lt;i style=""&gt;Il viaggio tra spostamenti fisici e voli immaterial&lt;/i&gt;i.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;span style="font-family: verdana;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt; &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Sala Naranja &gt; 12:00 – 12:30&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="" lang="ES-TRAD"&gt;Diálogo entre &lt;b style=""&gt;Alberto Abruzzese &lt;/b&gt;y &lt;b style=""&gt;Jorge Lozano &lt;/b&gt;&gt; Semiótica de la cultura y Sociología de la Cultura&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Sala Naranja &gt; 12:30-15:00&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="" lang="ES-TRAD"&gt;Modera: &lt;b style=""&gt;Pablo Francescutti&lt;/b&gt; (&lt;i style=""&gt;Universidad Rey Juan Carlos, GESC&lt;/i&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Humberto Valdivieso&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Universidad Católica Andrés Bello, Venezuela&lt;/i&gt;) &gt; El diseño, la huella, los espejos y la cópula. Avances para una analítica de la estética en la comunicación visual.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="EN-GB"&gt;Lizete Dias de Oliveira &lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="EN-GB"&gt;(&lt;i style=""&gt;Universidade do Porto&lt;/i&gt;&lt;/span&gt;&lt;span style="" lang="EN-US"&gt;) &lt;/span&gt;&lt;span style="" lang="EN-GB"&gt;&gt;&lt;i style=""&gt; &lt;/i&gt;&lt;/span&gt;&lt;span style="" lang="EN-US"&gt;&lt;span style=""&gt; &lt;/span&gt;Rock Art as a Sign: an approach of the Semiotics of culture.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Graciela Fernández Toledo &lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt;(&lt;i style=""&gt;Universidad de Buenos Aires&lt;/i&gt;): Cuerpo. Representación y violencia.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Marina Peluso&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Università di Bologna, SUM Firenze&lt;/i&gt;) &gt; La mediazione culturale nell’esperienza del dolore: comunicazione e riconoscimento.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family: verdana;font-size:100%;" &gt;&lt;span style="" lang="EN-GB"&gt; &lt;/span&gt;&lt;/span&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Aula 302 &gt; 12:30-14:30&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="" lang="ES-TRAD"&gt;Modera:&lt;b style=""&gt; Franciscu Sedda &lt;/b&gt;(Università di Roma “Tor Vergata”, GESC)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Erika Cortés Bazaes&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; &lt;i style=""&gt;(Universidad Uniacc. Chile&lt;/i&gt;)&lt;i style=""&gt; &lt;/i&gt;&gt; El cine chileno en dos fases históricas: de la identificación imaginaria a la identificación simbólica.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Luca Acquarelli&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;EHESS-París, Università di Siena&lt;/i&gt;) &gt;&lt;i style=""&gt; &lt;/i&gt;La visione della storia nella cultura imperiale fascista.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Orlando Paris&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Università di Siena&lt;/i&gt;) &gt; Guardare l’altro. Il razzismo antinero di Lidio Cipriani.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family: verdana;font-size:100%;" &gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;&lt;br /&gt;Sala Naranja &gt; 16:00-18:30&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="" lang="ES-TRAD"&gt;Modera: &lt;b style=""&gt;Rayco González&lt;/b&gt; (UCM, GESC)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Joan Ramon Rodríguez-Amat &lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt;(&lt;i style=""&gt;Universidad de Vic, Barcelona&lt;/i&gt;) &gt; El reino del más allá: los estudios de la cultura contra el discurso del nacionalismo.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Salomé Sola Morales&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Universidad Autónoma de Barcelona&lt;/i&gt;)&lt;i style=""&gt; &lt;/i&gt;&gt; Narrativas mediáticas y construcción de identidades. Una perspectiva semiótica.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Elsa Soro&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Universidad Autónoma de Barcelona&lt;/i&gt;) &gt; Cultura, texto y memoria. La construcción del espacio Euro Mediterráneo.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Rondon &lt;span style=""&gt; &lt;/span&gt;Souza de Castro&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Universidade Federal de Santa María, Brasil&lt;/i&gt;) &gt; Códigos culturales e imaginario en la obra de Jorge Icaza.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family: verdana;font-size:100%;" &gt;&lt;b style=""&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style=""&gt;Aula 302 &gt; 16:00-18:30&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=""&gt;Modera: &lt;/span&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Pablo Francescutti&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Universidad Rey Juan Carlos, GESC&lt;/i&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="EN-US"&gt;Motti Neiger&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="EN-US"&gt; (&lt;i style=""&gt;Netanya&lt;/i&gt;&lt;i style=""&gt; Academic College, School of Communication, Israel&lt;/i&gt;) &lt;i style=""&gt;&gt;&lt;/i&gt; Non-Referential News: The Simulacrum of Journalism.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Jaume Alavedra i Regás&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Universidad de Barcelona&lt;/i&gt;) &lt;i style=""&gt;&gt; &lt;/i&gt;Semiosis de la referencia y la cultura en el antiguo Egipto.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Maria Michela Mattei &lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt;(&lt;i style=""&gt;Istituto italiano di Scienze Umane, Universitá degli Studi di Siena&lt;/i&gt;) &gt; A un palmo da terra. Per una semiótica del monumento contemporáneo.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Gvantsa Tchanturia, Nino Popiashvili &lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt;(&lt;i style=""&gt;Université d’Etat de Tbilissi, Georgia&lt;/i&gt;) &gt; L’identité de la culture post-sovietique et des signes sémiotiques dans leurs discours.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family: verdana;font-size:100%;" &gt;&lt;b style=""&gt;&lt;span style="line-height: 120%;" lang="ES-TRAD"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: verdana;font-size:100%;" &gt;&lt;b style=""&gt;&lt;span style="line-height: 120%;" lang="ES-TRAD"&gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; text-align: center; font-family: verdana;" align="center"&gt;&lt;span style="font-size:130%;"&gt;&lt;b style=""&gt;&lt;span style="line-height: 120%;" lang="ES-TRAD"&gt;19 &gt; noviembre&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; text-align: center; font-family: verdana;" align="center"&gt;&lt;span style="font-size:130%;"&gt;&lt;b style=""&gt;&lt;span style="line-height: 120%;" lang="ES-TRAD"&gt;Fundación Ortega y Gasset&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;10:00 &lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt;&gt; Acto de bienvenida&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;10:30-13.30&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt;Preside: &lt;b style=""&gt;Antonio Caro&lt;/b&gt; (&lt;i style=""&gt;UCM&lt;/i&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Franciscu Sedda&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Università di Roma “Tor Vergata”)&lt;/i&gt; &gt; Formazioni semiotiche e traduzioni imperfette: sulla semiotica delle culture.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Pablo Francescutti&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Universidad Rey Juan Carlos, Madrid&lt;/i&gt;) &gt; Moda islamica, metrónomo del cambio cultural.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Anna Maria Lorusso&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;Università di Bologna&lt;/i&gt;) &gt; I &lt;i style=""&gt;corpora&lt;/i&gt; della cultura&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="" lang="ES-TRAD"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;16:00-18:00&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="" lang="ES-TRAD"&gt;Preside: &lt;b style=""&gt;Jorge Lozano&lt;/b&gt; (&lt;i style=""&gt;UCM&lt;/i&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style=""&gt; Anna Paisova&lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt; (&lt;i style=""&gt;Universidad Estatal de Moscú&lt;/i&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt; Manuel Ángel Vázquez&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; &lt;b style=""&gt;Medel &lt;/b&gt;(&lt;i style=""&gt;Universidad de Sevilla&lt;/i&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt; Fernando Rodríguez Lafuente&lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt; (&lt;i style=""&gt;UCM, Fundación Ortega y Gasset&lt;/i&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin: 0cm 14.2pt 0.0001pt; text-align: justify; line-height: 150%; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="" lang="ES-TRAD"&gt; &lt;/span&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt;Gerald Mazzalovo &lt;/span&gt;&lt;/b&gt;&lt;span style="" lang="ES-TRAD"&gt;(Consultor de Imagen de Marca)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0cm; font-family: verdana;"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style=""&gt;&lt;span style="" lang="ES-TRAD"&gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0cm; 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&lt;span style="font-weight: bold;"&gt;centro città.&lt;/span&gt;&lt;br /&gt;La mejor forma es desde el aeropuerto (t4, t3, t2, t1) con el metro. El billete cuesta dos euros. Línea 8.&lt;br /&gt;The best way from the airport (t4, t3, t2, t1) is the subway. Ticket cost two euro.&lt;br /&gt;Line 8.&lt;br /&gt;Le meillure forme pour arriver ((t4, t3, t2, t1) c'est le métro. Le ticket coûte deux&lt;br /&gt;euros. Ligne 8.&lt;br /&gt;La forma migliore per arrivare dall'aeroporto (t4, t3, t2, t1) è la metro. Il biglietto&lt;br /&gt;costa due euro. Linea 8.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.metromadrid.es/export/sites/metro/comun/documentos/planos/Plano%20espsep2010.pdf"&gt;Planos de metro/ Underground map/ Plan du Metro/ Mappa della metropolitana&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;¿Cómo llegar a la Facultad de Ciencias de la Información en la&lt;/span&gt; &lt;span style="font-weight: bold;"&gt;Universidad Complutense?&lt;/span&gt;&lt;br /&gt;Metro: Línea 6 gris: Ciudad Universitaria&lt;br /&gt;Autobuses: 132, 82 y G&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;How to get to the Faculty of "Ciencias de la Información" in the Complutense University?&lt;/span&gt;&lt;br /&gt;Subway: line 6 grey, stop at "Ciudad Universitaria"&lt;br /&gt;Bus: 132, 82 and G.&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Comment-on peut arriver à la Faculté de "Ciencias de la Información" dans&lt;/span&gt; &lt;span style="font-weight: bold;"&gt;l'Université Complutense?&lt;/span&gt;&lt;br /&gt;Métro: ligne 6 (grise): arrêt "Ciudad Universitaria".&lt;br /&gt;Bus: 132, 82 et G.&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Come arrivare alla Facoltá di "Ciencias de la Información" dell'Universitá Complutense?&lt;/span&gt;&lt;br /&gt;Metro: linea 6 (grigia): fermata "Ciudad Universitaria"&lt;br /&gt;Autobus: 132, 82 e G.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;¿Cómo llegar a la Fundación Ortega y Gasset?&lt;/span&gt;&lt;br /&gt;C/ Fortuny, 53&lt;br /&gt;Metro Ruben Darío (línea 5), Gregorio Marañón (líneas 7 y 10)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;How to get the Ortega Gasset Fondation?&lt;/span&gt;&lt;br /&gt;Subway: Ruben Darío (line 5), Gregorio Marañón (lines 7 and 10).&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Comment-on peut arriver à la Fondation Ortega y Gasset?&lt;/span&gt;&lt;br /&gt;Métro: Ruben Darío (ligne 5), Gregorio Marañón (lignes 7 et 10).&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Come arrivare á la Fondazione Ortega y Gasset?&lt;/span&gt;&lt;br /&gt;Metro: Ruben Darío (linea 5), Gregorio Marañón (linee 7 e 10).&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;¿Dónde dormir? Where can we sleep? Oú on peut dormir? Dove dormire?&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Cerca de la facultad/ Close to the university/ Prêt de la universitè/ Vicino all'universitá&lt;br /&gt;&lt;a href="http://hostalangelines.uphero.com/"&gt;Hostal Angelines&lt;/a&gt;&lt;br /&gt;&lt;img src="file:///C:/Users/mar/AppData/Local/Temp/moz-screenshot.png" alt="" /&gt;&lt;img src="file:///C:/Users/mar/AppData/Local/Temp/moz-screenshot-1.png" alt="" /&gt;&lt;a href="http://www.hostalperez.com/"&gt;Hostal Pérez&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.hostales.com.es/los_andes/"&gt;Hostal Los Ándes&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.nh-hoteles.es/nh/es/hoteles/espana/madrid/nharguelles.%20html"&gt;NH Arguelles&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Cerca de la Fundación José Ortega y Gasset/ Close to the José Ortega y Gasset Foundation/ Prêt de la Fondation José Ortega y Gasset/ Vicino alla Fondazione José Ortega y Gasset&lt;br /&gt;&lt;a href="http://www.hesperia.es/hesperia/es/hoteles/espana/madrid/hesperiaemperatriz.%20html"&gt;Hesperia Emperatriz&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.hotelgalianomadrid.com/"&gt;Hotel Galiano&lt;/a&gt;&lt;br /&gt;&lt;a href="http://asuncion2.from-tn.com:81/webcam/"&gt;Hostal Asunción&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.hostaldondiego.com/"&gt;Hostal Don Diego&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Alojamientos de bajo coste/ Low budget hostels/ Auberges économiques/Ostelli economici&lt;br /&gt;Tenemos una convención con el hostal &lt;a href="http://www.lasmusasresidence.com/"&gt;Las Musas&lt;/a&gt;, donde os darán un trato especial. Podéis&lt;br /&gt;reservar especificando que sois parte del Congreso de Semiótica.&lt;br /&gt;We have a special arrangement with &lt;a href="http://www.lasmusasresidence.com/"&gt;Las Musas&lt;/a&gt; hostel. You have to book specifying you’re part of the Congress of Semiotic.&lt;br /&gt;Vous aurez des conditions favorables si vous reservez dans &lt;a href="http://www.lasmusasresidence.com/"&gt;Las Musas&lt;/a&gt;, en disant que vous faites parti du Congrès de Sémiotique.&lt;br /&gt;Abbiamo un accordo con l’ostello &lt;a href="http://www.lasmusasresidence.com/"&gt;Las Musas&lt;/a&gt;, dove avrete delle condizioni vantaggiose&lt;br /&gt;specificando che fate parte del Congresso di Semiotica.&lt;br /&gt;&lt;br /&gt;Otros alojamientos económicos / More cheap hostels/ Autres auberges économiques / Altri ostelli economici&lt;br /&gt;&lt;a href="http://www.madhostel.com/"&gt;Hostel Mad&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.catshostel.com/"&gt;Cat's Hostel&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.equity-point.com/en/hostelsmadrid/%20metropolhostel/general-information-madrid-hostel.html"&gt;Hostal Metropol&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7242721016519076901-4509709763576363595?l=congresosemiotica.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://congresosemiotica.blogspot.com/feeds/4509709763576363595/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://congresosemiotica.blogspot.com/2010/10/informacion-util-para-el-congreso.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7242721016519076901/posts/default/4509709763576363595'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7242721016519076901/posts/default/4509709763576363595'/><link rel='alternate' type='text/html' href='http://congresosemiotica.blogspot.com/2010/10/informacion-util-para-el-congreso.html' title='Información útil para el congreso'/><author><name>Marina Domínguez Garachana</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7242721016519076901.post-3749143787178716348</id><published>2010-06-06T21:00:00.008+02:00</published><updated>2010-09-04T12:36:24.014+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Semiótica'/><category scheme='http://www.blogger.com/atom/ns#' term='Madrid'/><category scheme='http://www.blogger.com/atom/ns#' term='GESC'/><category scheme='http://www.blogger.com/atom/ns#' term='congreso'/><category scheme='http://www.blogger.com/atom/ns#' term='call for papers'/><title type='text'>Semiótica de la Cultura: Análisis y Nuevas Perspectivas</title><content type='html'>&lt;span style="font-size:85%;"&gt;&lt;span style="FONT-WEIGHT: bold"&gt;&lt;span style="font-size:130%;"&gt;I Congreso de GESC&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="TEXT-DECORATION: underline"&gt;CALL FOR PAPERS&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="COLOR: rgb(102,102,102);font-size:100%;" &gt;versiones en otros idiomas &gt; &lt;a href="http://congresosemiotica.blogspot.com/2010/06/semiotic-of-culture-analysis-and-new.html"&gt;english&lt;/a&gt;, &lt;a href="http://congresosemiotica.blogspot.com/2010/06/semiotique-de-la-culture-analyses-et.html"&gt;français&lt;/a&gt;,&lt;a href="http://congresosemiotica.blogspot.com/2010/06/semiotica-della-cultura-analisi-e-nuove.html"&gt; &lt;/a&gt;&lt;a href="http://congresosemiotica.blogspot.com/2010/06/semiotica-della-cultura-analisi-e-nuove.html"&gt;italiano&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;Organiza&lt;/span&gt; &gt; Grupo de Estudios de Semiótica de la Cultura. Instituto Universitario de Investigación Fundación Ortega y Gasset. Master Universitario en Investigación en Periodismo: Discurso y Comunicación. Universidad Complutense de Madrid.&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;17, 18 y 19 de noviembre de 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;Lugar&lt;/span&gt; &gt; Facultad de Ciencias de la Información, Universidad Complutense de Madrid; Fundación Ortega y Gasset.&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;Líneas de investigación preferentes&lt;/span&gt; &gt; Nuevas perspectivas de la semiótica de la cultura, semiótica de la moda, semiótica del arte y semiótica de los medios&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;Fecha límite para el envío de resúmenes&lt;/span&gt; &gt; 15 de septiembre de 2010.&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;Fecha de notificación de propuestas aceptadas&lt;/span&gt; &gt; 7 de octubre de 2010.&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;Inscripción&lt;/span&gt; &lt;span style="FONT-WEIGHT: bold"&gt;&gt; 15 euros. Certificado de Asistencia.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;CALL FOR PAPERS&lt;/span&gt; (max. 500 palabras)&lt;br /&gt;&lt;br /&gt;El primer congreso del GESC propone una reflexión articulada en torno a las categorías analíticas desarrolladas en el ámbito de la semiótica de la cultura.&lt;br /&gt;&lt;br /&gt;El objetivo es medir la actualidad de esta línea de investigación profundizando en conceptos sobre los cuales se ha articulado históricamente la disciplina: semiosfera, explosión, traducción intersemiótica, estilos y formas de vida, la relación entre memoria y cultura, etc.&lt;br /&gt;&lt;br /&gt;Con esta intención invitamos a proponer análisis cuyas herramientas pertenezcan al ámbito de esta tradición de estudios, tanto para ajustarlos metodológicamente como para medir su capacidad de explicación.&lt;br /&gt;&lt;br /&gt;Por otra parte, se pretende reflexionar sobre el papel de la semiótica de la cultura, sobre las relaciones con las otras escuelas semióticas y su posible función de puente o filtro traductor en relación a otras aproximaciones al estudio de la cultura, como la sociológica y la antropológica.&lt;br /&gt;&lt;br /&gt;En este sentido, se tendrán en consideración tanto las propuestas de tipo analítico como aquellas estrictamente teóricas, dando prioridad a los abstracts que expliciten las herramientas metodológicas puestas en juego.&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;Lenguas oficiales&lt;/span&gt; &gt; español, inglés, italiano y francés.&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;Presidente&lt;/span&gt;&lt;br /&gt;Jorge Lozano&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;Comité Organizador&lt;/span&gt;&lt;br /&gt;Marcello Serra (coordinador)&lt;br /&gt;Rayco González&lt;br /&gt;María Jesús Molina&lt;br /&gt;Esther Yance&lt;br /&gt;Marina Domínguez&lt;br /&gt;Leticia García&lt;br /&gt;Diana Rey&lt;br /&gt;Óscar Gómez&lt;br /&gt;Alina Navas&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;Comité Científico&lt;/span&gt;&lt;br /&gt;Juan Alonso&lt;br /&gt;Valeria Burgio&lt;br /&gt;María Jesús Casals&lt;br /&gt;Paolo Fabbri&lt;br /&gt;Pablo Francescutti&lt;br /&gt;Jorge Lozano&lt;br /&gt;Raúl Magallón&lt;br /&gt;Fernando Rodríguez Lafuente&lt;br /&gt;Franciscu Sedda&lt;br /&gt;&lt;br /&gt;e-mail &gt; contactosemiotica@gmail.com&lt;br /&gt;&lt;span style="font-family:';"&gt;&lt;?xml:namespace prefix = o /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7242721016519076901-3749143787178716348?l=congresosemiotica.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://congresosemiotica.blogspot.com/feeds/3749143787178716348/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://congresosemiotica.blogspot.com/2010/06/i-congreso-del-gesc-call-for-papers.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7242721016519076901/posts/default/3749143787178716348'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7242721016519076901/posts/default/3749143787178716348'/><link rel='alternate' type='text/html' href='http://congresosemiotica.blogspot.com/2010/06/i-congreso-del-gesc-call-for-papers.html' title='Semiótica de la Cultura: Análisis y Nuevas Perspectivas'/><author><name>Marina Domínguez Garachana</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7242721016519076901.post-7456304008979188628</id><published>2010-06-06T16:54:00.005+02:00</published><updated>2010-06-09T14:54:55.719+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Semiótica'/><category scheme='http://www.blogger.com/atom/ns#' term='Madrid'/><category scheme='http://www.blogger.com/atom/ns#' term='GESC'/><category scheme='http://www.blogger.com/atom/ns#' term='congreso'/><category scheme='http://www.blogger.com/atom/ns#' term='call for papers'/><title type='text'>Semiotic of Culture: Analysis and New Perspectives</title><content type='html'>&lt;span style="font-weight: bold;"&gt;&lt;span style="font-size:130%;"&gt;1st Congress of GESC&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;CALL FOR PAPERS&lt;br /&gt;&lt;br /&gt;Organization&lt;/span&gt;&gt; Grupo de Estudios de Semiótica de la Cultura. Instituto Universitario de Investigación Fundación Ortega y Gasset. Master Universitario en Investigación en Periodismo: Discurso y Comunicación. Universidad Complutense de Madrid.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;November 17-19, 2010&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Place&lt;/span&gt; &gt; Facultad de Ciencias de la Información, Universidad Complutense de Madrid; Fundación Ortega y Gasset.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Main lines of research&lt;/span&gt; &gt; New perspectives in Semiotics of Culture; Semiotics of Fashion; Semiotics of Art; Semiotics of Media.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Deadline for submitting abstracts&lt;/span&gt; &gt; September 15, 2010.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Date of notification regarding proposal acceptance&lt;/span&gt; &gt; October 7, 2010.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Enrolment &gt; 15 €&lt;/span&gt;. Certificate of attendance.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CALL FOR PAPERS&lt;/span&gt; (max. 500 words)&lt;br /&gt;&lt;br /&gt;The first congress of the GESC proposes a reflection on the analytical categories developed in the field of the semiotics of culture. The aim is to consider the relevance of this line of research by reflecting on the concepts that historically articulated the discipline: semiosphere, explosion, intersemiotic translation, lifestyles and forms of life, the relationship between memory and culture, etc.&lt;br /&gt;&lt;br /&gt;With this in mind we ask to propose an analysis with heuristic tools belonging to the field of this tradition of studies, to tailor them methodologically and to measure their capacity of explanation.&lt;br /&gt;&lt;br /&gt;On the other hand, we are going to reflect on the role of the semiotics of culture, its connections between the different semiotic schools and its hypothetical function as a bridge or as a translator in relation to other approaches to the study of culture such as sociology and anthropology.&lt;br /&gt;In this way we will consider both analytical proposals and strictly theoretical ones.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Official languages&lt;/span&gt; &gt; Spanish, English, Italian and French.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;President&lt;/span&gt;&lt;br /&gt;Jorge Lozano&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Organizing committee&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Marcello Serra (coordinator)&lt;br /&gt;Rayco González&lt;br /&gt;María Jesús Molina&lt;br /&gt;Esther Yance&lt;br /&gt;Marina Domínguez&lt;br /&gt;Leticia García&lt;br /&gt;Diana Rey&lt;br /&gt;Óscar Gómez&lt;br /&gt;Alina Navas&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Scientific committee&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Juan Alonso&lt;br /&gt;Valeria Burgio&lt;br /&gt;María Jesús Casals&lt;br /&gt;Paolo Fabbri&lt;br /&gt;Pablo Francescutti&lt;br /&gt;Jorge Lozano&lt;br /&gt;Raúl Magallón&lt;br /&gt;Fernando Rodríguez Lafuente&lt;br /&gt;Franciscu Sedda&lt;br /&gt;&lt;br /&gt;e-mail &gt; contactosemiotica@gmail.com&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7242721016519076901-7456304008979188628?l=congresosemiotica.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://congresosemiotica.blogspot.com/feeds/7456304008979188628/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://congresosemiotica.blogspot.com/2010/06/semiotic-of-culture-analysis-and-new.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7242721016519076901/posts/default/7456304008979188628'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7242721016519076901/posts/default/7456304008979188628'/><link rel='alternate' type='text/html' href='http://congresosemiotica.blogspot.com/2010/06/semiotic-of-culture-analysis-and-new.html' title='Semiotic of Culture: Analysis and New Perspectives'/><author><name>Marina Domínguez Garachana</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7242721016519076901.post-5854864337630320937</id><published>2010-06-06T16:49:00.006+02:00</published><updated>2010-06-09T14:55:12.928+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Semiótica'/><category scheme='http://www.blogger.com/atom/ns#' term='Madrid'/><category scheme='http://www.blogger.com/atom/ns#' term='GESC'/><category scheme='http://www.blogger.com/atom/ns#' term='congreso'/><category scheme='http://www.blogger.com/atom/ns#' term='call for papers'/><title type='text'>Sémiotique de la Culture: Analyses et Nouvelles Perspectives</title><content type='html'>&lt;span style="font-weight: bold;"&gt;&lt;span style="font-size:130%;"&gt;Premier Congrès du GESC&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;CALL FOR PAPERS&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Organisateur&lt;/span&gt; &gt; Grupo de Estudios de Semiótica de la Cultura. Fundación Ortega y Gasset y Departamento de Periodismo I. Facultad de Ciencias de la información. Universidad Complutense de Madrid.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;17, 18 et 19 novembre 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Lieus&lt;/span&gt; &gt; Facultad de Ciencias de la Información, Universidad Complutense de Madrid; Fundación Ortega y Gasset&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Lignes de recherches préférentielles&lt;/span&gt; &gt; Nouvelles perspectives dans dans la sémiotique de la culture; sémiotique de la mode; sémiotique de l’art; sémiotique des medias&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Date limite pour l’envoi des résumés&lt;/span&gt; &gt; 15 septembre 2010.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Date de notification de l’acceptation des propositions &lt;/span&gt;&gt; 7 octobre 2010.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Inscription&gt; 15 euros. Certificat de présence.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CALL FOR PAPERS &lt;/span&gt;(max. 500 mots)&lt;br /&gt;&lt;br /&gt;Le premier congrès du GESC propose une réflexion articulée autour des catégories analytiques développées dans le domaine de la sémiotique de la culture. L'objectif est de mesurer l'actualité de cette ligne de recherche en examinant les concepts sur lesquels la discipline s'est penchée : sémiosphère, explosion, traduction intersémiotique, styles et formes de vie, lien mémoire-culture etc.&lt;br /&gt;Dans cette optique, nous invitons à proposer des analyses qui mettent en jeu les instruments heuristiques propres à cette tradition de recherche, tant pour les affiner méthodologiquement que pour en mesurer la force explicative.&lt;br /&gt;D'autre part, nous envisageons de réfléchir sur le role de la sémiotique de la culture, sur les relations avec les autres écoles sémiotiques et sa possible fonction de pont, ou de filtre traducteur, vers d'autres approches de l'étude de la culture, comme la sociologie ou l'anthropologie.&lt;br /&gt;Dans ce sens seront prises en considérations tant les propositions d'analyse textuelle que celles plus strictement théoriques, en donnant la priorité aux abstracts qui expliciteront les instruments méthodologiques mis en jeu.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Langues officielles &lt;/span&gt;&gt; espagnol, anglais, italien et français.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Président &lt;/span&gt;&lt;br /&gt;Jorge Lozano&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Comité Organisateur &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Marcello Serra (coordinateur)&lt;br /&gt;Rayco González&lt;br /&gt;María Jesús Molina&lt;br /&gt;Esther Yance&lt;br /&gt;Marina Domínguez&lt;br /&gt;Leticia García&lt;br /&gt;Diana Rey&lt;br /&gt;Óscar Gómez&lt;br /&gt;Alina Navas&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Comité Scientifique &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Juan Alonso&lt;br /&gt;Valeria Burgio&lt;br /&gt;María Jesús Casals&lt;br /&gt;Paolo Fabbri&lt;br /&gt;Pablo Francescutti&lt;br /&gt;Jorge Lozano&lt;br /&gt;Raúl Magallón&lt;br /&gt;Fernando Rodríguez Lafuente&lt;br /&gt;Franciscu Sedda&lt;br /&gt;&lt;br /&gt;e-mail &gt; contactosemiotica@gmail.com&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7242721016519076901-5854864337630320937?l=congresosemiotica.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://congresosemiotica.blogspot.com/feeds/5854864337630320937/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://congresosemiotica.blogspot.com/2010/06/semiotique-de-la-culture-analyses-et.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7242721016519076901/posts/default/5854864337630320937'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7242721016519076901/posts/default/5854864337630320937'/><link rel='alternate' type='text/html' href='http://congresosemiotica.blogspot.com/2010/06/semiotique-de-la-culture-analyses-et.html' title='Sémiotique de la Culture: Analyses et Nouvelles Perspectives'/><author><name>Marina Domínguez Garachana</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7242721016519076901.post-4719158485486254446</id><published>2010-06-06T14:03:00.008+02:00</published><updated>2010-06-09T14:55:31.408+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Semiótica'/><category scheme='http://www.blogger.com/atom/ns#' term='Madrid'/><category scheme='http://www.blogger.com/atom/ns#' term='GESC'/><category scheme='http://www.blogger.com/atom/ns#' term='congreso'/><category scheme='http://www.blogger.com/atom/ns#' term='call for papers'/><title type='text'>Semiotica della Cultura: Analisi e Nuove Prospettive</title><content type='html'>&lt;span style="font-weight: bold;"&gt;&lt;span style="font-size:130%;"&gt;I Congresso del GESC&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;CALL FOR PAPERS&lt;br /&gt;&lt;br /&gt;Organizza&lt;/span&gt; &gt; Grupo de Estudios de Semiótica de la Cultura. Instituto Universitario de Investigación Fundación Ortega y Gasset. Master Universitario en Investigación en Periodismo: Discurso y Comunicación. Universidad Complutense de Madrid.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;17, 18 e 19 novembre 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Luogo&lt;/span&gt; &gt; Facultad de Ciencias de la Información, Universidad Complutense de Madrid; Fundación José Ortega y Gasset&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Linee di ricerca privilegiate&lt;/span&gt; &gt; Nuove prospettive della semiótica de la cultura, semiotica della moda, semiotica dell'arte e semiotica dei media&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Deadline per l'invio degli abstract&lt;/span&gt; &gt; 15 de septiembre de 2010.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Data di notifica delle proposte accettate &lt;/span&gt;&gt; 7 de octubre de 2010.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Iscrizione &gt; 15 euros. Certificato di assistenza.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CALL FOR PAPERS&lt;/span&gt; (max. 500 parole)&lt;br /&gt;&lt;br /&gt;Il primo congresso del GESC propone una riflessione articolata intorno alle categorie analitiche sviluppate nell'ambito della semiotica della cultura. L'obiettivo è di misurare l'attualità di questa linea di ricerca ragionando sui concetti su cui si è storicamente articolata la disciplina: semiosfera, esplosione, traduzione intersemiotica, stili e forme di vita, nesso memoria-cultura ecc.&lt;br /&gt;A tal fine invitiamo a proporre analisi che mettano in gioco gli strumenti euristici propri di questa tradizione di ricerca, tanto per raffinarli metodologicamente quanto per misurarne la forza esplicativa.&lt;br /&gt;Inoltre, si vuole riflettere sul ruolo della semiotica della cultura, le sue relazioni con  le altre scuole semiotiche e la sua possibile funzione di ponte, o filtro traduttivo, verso altri approcci allo studio della cultura, come quello sociologico o l'antropologico.&lt;br /&gt;In questo senso verranno prese in considerazione sia le proposte di analisi testuale che quelle più strettamente teoriche, dando precedenza agli abstract che esplicitino gli strumenti metodologici messi in gioco.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Lingue ufficiali&lt;/span&gt; &gt; lo spagnolo, l'inglese, l'italiano ed il francese.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Presidente&lt;/span&gt;&lt;br /&gt;Jorge Lozano&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Comitato Organizzatore&lt;/span&gt;&lt;br /&gt;Marcello Serra (coordinatore)&lt;br /&gt;Rayco González&lt;br /&gt;María Jesús Molina&lt;br /&gt;Esther Yance&lt;br /&gt;Marina Domínguez&lt;br /&gt;Leticia García&lt;br /&gt;Diana Rey&lt;br /&gt;Óscar Gómez&lt;br /&gt;Alina Navas&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Comitato Scientifico&lt;/span&gt;&lt;br /&gt;Juan Alonso&lt;br /&gt;Valeria Burgio&lt;br /&gt;María Jesús Casals&lt;br /&gt;Paolo Fabbri&lt;br /&gt;Pablo Francescutti&lt;br /&gt;Jorge Lozano&lt;br /&gt;Raúl Magallón&lt;br /&gt;Fernando Rodríguez Lafuente&lt;br /&gt;Franciscu Sedda&lt;br /&gt;&lt;br /&gt;e-mail &gt; contactosemiotica@gmail.com&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7242721016519076901-4719158485486254446?l=congresosemiotica.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://congresosemiotica.blogspot.com/feeds/4719158485486254446/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://congresosemiotica.blogspot.com/2010/06/semiotica-della-cultura-analisi-e-nuove.html#comment-form' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7242721016519076901/posts/default/4719158485486254446'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7242721016519076901/posts/default/4719158485486254446'/><link rel='alternate' type='text/html' href='http://congresosemiotica.blogspot.com/2010/06/semiotica-della-cultura-analisi-e-nuove.html' title='Semiotica della Cultura: Analisi e Nuove Prospettive'/><author><name>Marina Domínguez Garachana</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry></feed>
